Tuesday, August 25, 2015

'Mary Poppins': Behind the Curtain Photo Essay

A Behind-the-scenes Look At 'Mary Poppins' in Rehearsal


'Mary Poppins' opens at Slidell Little Theatre on August 28, 2015 and runs through September 13. Volunteers have been spending untold hours since the summer rehearsing and preparing for this moment. The photo collages below are just a small sampling of the many, many people involved in bringing the magic to life at Slidell Little Theatre.

Photo credit Justin Redman, Stephanie Sullivan and Don Redman.






Monday, August 24, 2015

What Can Mary Poppins Teach Nannies Today?

Adele Bruce Smith channels Mary Poppins
- photo by Justin Redman

Former Nanny Says Poppins' Still the Master


by Don Redman

Adele Bruce Smith knew from the start what she wanted to do before she attended college – she wanted to be a professional nanny.

“I remember when all my friends were worried about what classes to take in college and I was wondering why they didn’t know what to take,” says Adele, her English accent softened by years in the U.S. “I went to college and told them to just sign me up for whatever classes I need to be a professional nanny. It was that simple.”

Yes, she went to college – the University of Cambridge – to be a nanny. There is a difference between a babysitter and an au pair and a nanny, she explains. “A nanny goes to school to specifically learn how to emotionally, mentally and physically raise children. So I went to school and took psychology and sociology, child development and nutrition and more.”

The educational background set her on the path of a fulfilling career as a nanny. “I was a professional English Nanny for over 25 years and I worked for the rich and famous, raising their children,” says Adele, who today is married to Slidell Chief of Police Randy Smith.

Her first job as a professional nanny began with a referral from a friend of the family who encouraged Adele to apply for a position with a couple expecting the arrival of their first child.

“I had 25 pounds in my bank account,” Adele says. “I remember it like it was yesterday – going to the bank taking it all out and heading to Cambridge to invest in a suit.” She eyed an outfit reminiscent of something Lady Diana would wear and plunked down everything she owned to purchase it. First impressions are everything.

“The suit worked,” she says. “I was hired immediately that day in November even though Tim (the baby) was not due until January. I was given a chauffeur to take me to London to purchase everything needed for (him).”

Adele Smith: "Being a Nanny was a passion and a love"
Baby Tim was born into a well-heeled family with connections to the Royal family and well-staffed with a nanny, chef, chauffeur, gardeners and maids. But, says Smith, financial success matters not to a child. “Children all need and deserve everything that will not cost a penny – your time and effort.”

“I spent every waking moment nurturing loving and teaching this little man,” Adele recalls. “I walked him for hours in his pushchair (stroller), singing to him, talking to him, pointing out trees and flowers and bunnies and horses. Every second mattered. Tim is nearly 30 and to this day still calls me Nan.”

She sees some similarities between herself and Mary Poppins when dealing with the children. “I was always happy and I sang and played music all the time. Every second of the day I was fully aware of what I said to my charges (babies).”

“Raising Tim and his sister Polly, and the other children wasn’t a job,” she says.  “It was a passion and a love I can’t explain. It was a privilege and an honor. It was exciting and exhausting and eye opening.”

Participating in a lighthearted, Poppins-themed photo shoot in advance of Slidell Little Theatre's Season opener, Adele says she's eager to see her beloved nanny onstage this month and for the opportunity to sing along with all of her favorite songs.

Slidell Little Theatre's regional premiere of "Mary Poppins" opens August 28 and runs through September 13, 2015. Reservations can be made online at www.SlidellLittleTheatre.org.



Eager to share lessons she has learned during her 25-year career as a professional nanny – nuggets of wisdom that no doubt could be uttered by Mary Poppins – Adele offers these insightful tips for the new family:

·         Children come into this world like a blank canvas, make sure you make yours beautiful.
·         Children learn more by what they live than by your words (lead by example).
·         Be consistent with you rules and routines, Children actually feel safer and secure if you follow through.
·         It is your job as a parent to prepare your child for the next stage in life.
·         Eat together as a family at least three times a week – no TV or phones. Being a parent is not a popularity contest.
·         Read every night with them (trust me they will remember it).
·         Do not buy them everything they want or what their friends immediately. Teach them the value of money and patience.
·         Do NOT burden them with adult issues (you don’t want them to have to recover from their child hood).
·         Let them have down time. Don’t sign them up for lot of after school activities – they are learning all the time. Allow their bodies and minds to rest.



When Don Redman isn't  volunteering with Slidell Little Theatre, he writes for a travel magazine and is currently writing a comedy as well as a novel. Find out more about him here.

Justin Redman is SLT's chairman of Publicity. When he's not volunteering for Slidell Little Theatre, he's running Redman Media Productions.

Sunday, August 23, 2015

Sauber: Balancing Hollywood and Broadway Versions of 'Mary Poppins'

 by Don Redman

Scott Sauber with Zachary Osborn and Lisa Meredith
(photo by Don Redman)

SLT Director talks about his vision

Scott Sauber has directed scores of productions on both sides of the lake, including the smash hits Seussical, and The Full Monty, for which received Slidell Little Theatre Ginny Awards for Best Director and Best Show for the 2013-2014 and 2014-2015 Seasons respectively.
He opens SLT’s 2015-2016 Season behind the helm of the regional premiere of Mary Poppins. Scott took a break from the grueling rehearsal schedule to tell us about his vision for the show and what audiences can expect.

Tell us about your vision and inspirations for Mary Poppins.

SAUBER: Such a classic tale, I want the audience to be transported to Victorian times and whisked away to a magical setting.  The original movie holds so much color and texture, but the full realized Broadway show is a darker story.  When I first heard the soundtrack years ago, I had very vivid images in my head of what the show should look like.  Then I saw the original Broadway cast and felt the pictures in my head were more fun!  Let's bring them to life.
Scott Sauber directs Zachary Osborn  (as Michael Banks)
and Emma St. Cyr (as Jane Banks). Photo by Don Redman

What are the challenges to staging this production?

SAUBER: Mary has to fly, Bert has to tap, the chimney sweeps dance their "brushes" off and we need two great children.

What the audience can expect to see?

SAUBER: A fun-filled, Disney adventure with heart and soul.  This story is about a father and his children.  It just takes the nanny to show you that.

Poster Artist

As if his plate wasn’t already full as director, scenic designer and co-costume designer for “Mary Poppins,” Scott Sauber is also the poster artist for the production.

Inspired by the Victorian setting and the chimney sweeps – his favorite characters from the 1964 Disney movie – Sauber’s poster features the dark silhouette of a dancing chimney sweep against a dark, rich blue background.

Poster by Scott Sauber

“I love the texture of the original Broadway logo and the color scheme,” Sauber said. “I used what I remembered and went with Victorian inspired trim and silver as my accent color.  The chimneysweeps are my favorite, so it was important to incorporate one of those.  The font is very reminiscent of the Victorian poster style.”

About Scott Sauber



Sauber has more than 20 years of theatrical experience and education and teaches Theatre in the Talented Arts Program at Slidell High School. He is a graduate of the University of New Orleans’ Theatre Department. He is a multiple-award-winning actor, light designer, director and educator.











Don Redman was named the 2006 St. Tammany Parish Literary Artist of the Year for his comedy Who's Afraid of Virginia's Wolf Note? slated for production soon in SLT's new Black Box theatre. He is a regular contributor to SLT's blog and is the creator and editor of SLT's audience guide, Prologue. Find out more about Redman here.

Tuesday, August 4, 2015

Making It Snow On Stage

REDNECK SNOW - Scenic designer Christine Barnhill-Tramel
and Sam Sutter designed a snow machine for the cabin window
in  "A Good Old Fashioned Redneck Country Christmas."
(Photo by Paul Wood Photography)

Every December, community theaters across the country are likely staging some sort of holiday or winter show, from A Christmas Story, to Christmas Carol, to The Nutcracker Suite, all requiring some degree of snowfall.

As scenic designer for A Good Old Fashioned Redneck Country Christmas, Christine Barnhill Tramel was tasked to stage a snow scene to emulate constant snowfall visualized from a cabin window. Recruiting assistance from Sam Sutter, Christine was able to bring her concept to the stage.

Using simple supplies including a squirrel cage fan, PVC pipes and connectors, Plexiglas sheets, wire mesh and scrap lumber, Christine and Sam created an effective simulation of constant snowfall described in the script.



SNOW WINDOW: A diagram of the "snow machine"
(Illustration by Don Redman)

The video of the window snow machine in operation:

video

Eric Hart, Properties Master at Triad Stage in North Carolina, maintains a blog – Prop Agenda – where he discusses making and finding props for the theatre. He granted us permission to reprint his post on how to make it snow:

“For snowballs, previous props people have used white bar soap shaved into bits with a cheese grater. The resulting bits can be packed into a snowball which explodes on impact. Others suggest instant mashed potato flakes. In either case, water can be mixed in or spritzed on to make the snowballs stick better. If the actors are throwing the snowballs at people, obviously you want the snowball to break apart on impact as easily as possible. A lot of variables come into play: how hard the actor throws it, what it is hitting against, the temperature and humidity in your theatre, how far in advance you need to make the snowballs, etc. As a result of all these variables, there is no “exact recipe”, and research and development is essential.
“Another option is the interior of disposable diapers (new ones, not used ones). They contain a powder called sodium polyacrylate, a polymer which absorbs 800–1000 times its own weight, effectively turning a liquid into a solid gel. It is also sold in magic shops and novelty stores as “slush powder”.
“If a show calls for falling snow, it is often the props departments’ duty to procure the snow, while scenery is in charge of making it fall from the air. I know, it’s bizarre. The preferred method for at least the past hundred and thirty years is using clipped paper. Unfortunately, regular paper will not pass today’s fire retardant standards. If the thought of fire-proofing every snowflake for every performance is too overwhelming, theatrical suppliers, like Rose Brand, sell flame-proofed paper snowflakes. Expect to pay a lot though, and be aware that everyone needs snow during the winter and they are often sold out by this time of the year.
“A more modern alternative is plastic flakes. Rose Brand sells these as well, but you can make your own if you wish. You can find paper shredders (for offices) which not only cut in strips, but also crosscut those pieces to make confetti. You can run white grocery bags or garbage bags through one to make your own plastic snowflakes. Bear in mind that you need a lot of snowflakes to make even a short-duration snowfall over a small stage. You’ll need more for multiple performances. You may be tempted to sweep as much as you can from one performance to use in the next one. Be aware that when you are picking up the old snow, you are also picking up all the dirt and dust from the stage. You don’t want to rain crud down onto your performers during a show; the dust can get in their eyes, and larger particles may even injure them when dropped from the top of the stage.”


Eric Hart's blog can be found online here.

Additional photos of the window snow machine:

Christine Barnhill-Tramel demonstrates
how the snow machine works.

Illustration by Christine Barnhill-Tramel
Rear view of window base.
Funnel feeding snowflakes into wind chamber











(Introduction by Don Redman. Photos and video by Don Redman.)

Tuesday, July 28, 2015

Poster Artist Has Roots in YATS



By Don Redman

Kahra Martinez comes from a family that has played a prominent role at Slidell Little Theatre for more than a decade. Her father, Fred, has served on the board of directors in various capacities, including until just recently Board President. Her mother, the late Fabian Martinez, was instrumental in getting the family involved in SLT, enrolling Kahra and sisters Kirstin and Kelsey in the Young Actors Theatre of Slidell (YATS) program and later co-directing YATS for years.

Today, Kahra is a web and mobile application designer in Hammond. She is a graduate of Southeastern Louisiana University where she earned a Bachelor of Arts degree in Visual Art with emphases in graphic design, digital art and painting.


In addition to co-creating SLT’s very first website with her father, for the past several years Kahra has also donated her artistic talents to designing several posters for our main stage, YATS and mini-YATS shows. Her designs for the 2015 YATS season were simply fantastic and were a wonderful gift to a program that is so near and dear to the entire Martinez family.


mini-YATS show poster


YATS - Young Juniors


YATS - Juniors

YATS - Young Seniors

YATS - Seniors


Kahra can be found online at Kahra.com.

Tuesday, July 21, 2015

Invest in SLT - Join Today!

Did You Know That You Can Buy Your Membership Online?

Memberships are the financial lifeline of the Theatre. It is through this support that the Theatre can fulfill its mission to “engage, educate, and involve members of the community in high quality theatrical productions.”

If you are not already a member, we invite you to support the Performing Arts by investing in Northshore’s premier community theatre and becoming a valued patron of the Slidell Little Theatre.

MembershipMatters

Why Should You Become a Member of Slidell Little Theatre?

Nurture New Artists:

Many successful actors, directors, writers, and choreographers have launched their careers in humble, small town playhouses. Just by attending and applauding, audiences give up-and-coming stars the positive feedback they need to continue their artistic pursuits. 

Why become a member

Share Valuable Skills:


Community theaters need more than just cast members. Anyone that can sew a costume, paint a backdrop, build a staircase, or edit a sound effect is a desirable addition to the company. Novices of a particular skill, such as construction or lighting, can increase their ability by working alongside veteran craftsmen.  Likewise, experts can enjoy sharing their knowledge and passing their craftsmanship to the next generation.
advertise_large with us
Advertise Locally:
 Small business owners should financially support playhouses, and not just for altruistic reasons. A good thirty minutes before a show, most audience members spend their time thumbing through the program, inspecting the actor bios. It’s the perfect opportunity to advertise.  Theatregoers are essentially a captive audience while they scan through the program. Small business can use this time to reach hundreds of potential customers. Ad space is relatively inexpensive and will help the performing arts thrive.

 Come out to Socialize-3
Socialize with New People:

Whether you work as an assistant director, a chorus member, the star of the show or a stagehand, one thing is certain: you will meet new friends. There is something exhilarating about putting on a show. It brings people close together; it tests their skills, and it enlightens audiences.  Many lifelong friendships and relationships have been formed while practicing sword fighting, stage-kissing, or falling through a trap door. There is a strong bond with all who band together to put on a play. We become friends because we work as one to tell as story.

 storytelling
Be Part of the Storytelling Process:

Plays are an ancient form of storytelling. It’s a creative ritual still very much alive despite the age of Youtube.
Most community theaters produce time-tested classics such as Man of La Mancha, Death of a Salesman, A Streetcar Named Desire, and Romeo and Juliet.  Some are light hearted; some are deep and profound. All offer a message to the audience. Classic and contemporary plays speak to us because they explore what it means to be human. Those who participate in the storytelling process can feel proud knowing they are spreading a positive message to their community.

So go audition. Offer up your skills. Advertise in the program. Contribute your time and energy. And by all means, go see a show! You’ll become a part of the vibrant, long-cherished tradition of the theatrical storytelling.



Join Now

Friday, July 17, 2015

'Poppins' Cast Announced

Congratulations to the cast of Mary Poppins!

The shows begin August 28th through September 13th


     Emily Wright.... Mrs. Corry *
Emma St. Cyr.... Jane Banks *
Jacob Lacoste.... Neleus *
John Kirkpatrick.... George Banks *
Josh St. Cyr.... Bert *
Lisa Meredith.... Winifred Banks *
Lori Fasone.... Mrs. Brill *
Melanie St. Cyr.... Mary Poppins *
Michael Osborn.... Admiral Boom *
Nicholas Pucheu.... Robertson Ay *
Pam Lisotta.... Miss Andrew *
Savannah Owens.... Katie Nanna, Ensemble *
Scott Osborne.... Bank Chairman *
Zachary Osborne.... Michael Banks *
Aimee Murrah.... Ensemble
Alvin Jackson.... Ensemble
Audrie St. Cyr.... Ensemble
Diana LaSalla.... Bird Woman
Don Guillot.... Park Keeper, ensemble
Eli Moore.... Ensemble
Emily Hynes.... Ensemble
Emma Harrison.... Ensemble
Emmy Lafaver.... Ensemble
Hagan Harkins.... Ensemble
Jamie Skiles.... Ensemble
John Harkins.... Ensemble
Joseph Fasone.... Ensemble
Marcello Barbaro.... Von Hussler
Michael Chandler.... Ensemble
Olivia Barbaro.... Ensemble
Rachel Roy.... Ensemble
Samantha Harkins.... Ensemble
Sarah Toepfer.... Ensemble
Scott Osborne.... Bank Chairman
Tate Robertson.... Ensemble
Taylor Kidd.... Ensemble
Teresa Fasone.... Ensemble
Trenton Gilmore.... Ensemble
Trey Harkins.... Ensemble
*=featured role