Behind the Scenes with Julia Lavigne
By Bonnie Lavigne
Julia Lavigne surrounded by her stage creations for 'Knuffle Bunny' |
It wasn’t long after
Julia Lavigne had returned to the area from art school in Savannah, Ga. that
her talents were eagerly sought out by Slidell Little Theatre, first as a
poster artist and then as a set designer.
“Julia was among the
several artists who volunteered to design a main stage show poster for Slidell
Little Theatre,” says Don Redman, SLT’s Vice President of Marketing. “Her
credentials and sample pieces alone sold me, but the fact that she’s been with
Slidell Little Theatre for years sealed the deal.”
Julia is a native of
Slidell and has appeared on stage at Slidell Little Theatre in several YATS and
main stage productions over the years. She graduated in 2013 from Savannah
College of Arts and Design, with a BFA in Illustration and Communication Design.
She currently lives in New Orleans where she is a freelance illustrator and
private teacher. When time allows, she eagerly gives back to the community. “In
my spare time, I like to volunteer with local organizations like Big Class and Slidell
Little Theatre,” she says.
Julia was asked to
design the poster for the Christmas show this season, A Good Old Fashioned Redneck Country Christmas.
“I loved her work so
much, I asked her if she would be willing to design our poster for Knuffle Bunny, a production of our
Theatre for Young Audiences,” says Redman. “I later got a call from Josh St.
Cyr asking me if I had someone to design a poster. I told him Julia was doing
it and he just lit up. I think I gave him an idea.”
“I was first approached
by Slidell Little Theatre last June to design the poster for the show,” she
says, “a month later, the director for Knuffle
Bunny, Josh St. Cyr, approached me about managing the set design and I
couldn’t say no because I love this story so much.”
Knuffle
Bunny: A Cautionary Musical
is based off of the popular children’s book, Knuffle Bunny: A Cautionary Tale by Mo Willems.
In the children’s book,
the people are illustrated and the backgrounds are real photographs of
Brooklyn, New York. Julia did not want to use the same illustrations as the
book, so she decided to use her own artistic style and voice for the set
design.
Julia explained that she
used various photos on the website Pinterest to get ideas on how she would
illustrate the shop fronts, houses and other Brooklyn scenes. She used two
screens that stayed on stage the entire show, which showed her illustrated
background scenes.
Julia's images of the laundromat and cityscapes (left) were projected onto screens onstage (right) seen here from the back of the stage looking out toward the audience. |
Another aspect Julia
used to keep the same “children-friendly” theme was to make props with lots of
color that looked 3-Dimensional. “We used cardboard and foam for the set pieces
and props. All were cut out with a knife, painted white, and then I used those
awesome bright colors for accents, so they would match the digital set.”
The making of the firetruck. Bottom left, Julia put final touches to the paint job before assembling. |
The actors carried all
of the fun-sized set pieces on and off stage, so the materials used were light
and easy to maneuver.
Large boxers used in the dryer fight scene. ("worn by" Mikey Willman) |
Light cardboard firetruck "driven" by John Fitzpatrick. |
“Julia’s creations were
truly stars of the show,” says Josh St. Cyr. “Our community may not know how
lucky we are to have a professional artist who grew up in the Slidell Little
Theatre come back and lend such amazing talents to the children’s program.”
Julia's poster design for the play. |
A behind-the-scenes look
at Julia’s creation of the “Redneck Christmas” poster can be found here.
Julia lives on the web
at www.Floating-heads.net.
Very impressive Julia! I'm proud of you. <3
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